The classics have debated what beauty is and what does not qualify as beauty. Alan Moore argues that nature is a beautiful thing and thrives on diversity and regeneration, but that our notion of beauty will evolve over time. It is often a matter of subjective pleasure that lacks an intellectual underpinning. In such a case, designers should rethink their role in the creative process, focusing on the problem-solving aspect. Here are three examples of companies that are committed to beauty:
The post-war optimism of the era gave us stars like Doris Day and Debbie Reynolds. The 1960s counterculture, based on social protest and idealism, emphasized androgynous looks. The punk look originated in the 1930s, but today it is only a minority of the average woman. Beauty today is based on good health, and a woman’s shape isn’t as important as her face or figure.
Beauty has a fundamental requirement: it must be pleasing. In other words, beauty must be an overall whole. This principle is known as the ‘law of beauty.’ Beauty cannot be constructed out of ugliness, but it must have symmetry in its details. Colour, gold, and lightning are all examples of beautiful things, but these examples are merely an example. But the same rules hold true for the beauty of people and animals. If something is beautiful, it is likely to be fair and have many parts.
In the ancient world, women admired the looks of the rich and powerful. They aimed to resemble Queen Elizabeth I. In the Renaissance, plumpness was considered a sign of wealth and beauty, while in the 90s, waifs deemed to be beautiful were considered beautiful. In modern times, we have evolved to a more rational view of beauty, boiling down its essence into models and formulas. The result is an aesthetic polarization of beauty, which often ends up harming our relationships with other people.
Whether or not we feel beauty varies greatly from culture to culture. Regardless of the context, beauty is defined as a combination of qualities that appeal to our senses and cause deep pleasure. While beauty is often defined by a person’s physical appearance, true beauty lies in one’s thoughts and actions. So, beauty is more than just the way they look, it’s also a reflection of a person’s character, and that’s why many people believe that beauty is subjective.
The Renaissance era of painting ushered in a new era of aesthetics. Painters such as Raphael and Leonardo painted countless different faces. While Botticelli’s Madonnas are destructible, their Virgin paintings are mysterious, conveying a sense of maternal tenderness. But whatever era you live in, beauty is always subjective. We’ll never know exactly what we think is beautiful. So, let’s consider the various eras of beauty in the history of art.
Filters are ubiquitous on social media. Snapchat and Facebook bundle beauty filters with other filters, while Snapchat has a gallery of effects. Snapchat users can swipe through a variety of beauty-enhancing filters on the selfie camera. TikTok also includes a beauty filter in its “Enhance” setting. While these are just a few examples, they are all growing at an impressive pace. So, how do beauty filters work? And why are we embracing them?